http://www.widelode.com/10bit-full-raster Design for print and web, video production, editing and hosting, and event services based in Cardiff, South Wales. Mon, 09 Aug 2010 13:42:15 +0000 hourly 1 http://wordpress.org/?v=3.0.1 http://www.widelode.com/10bit-full-raster/comment-page-1#comment-58 Simon Fri, 20 Nov 2009 10:54:00 +0000 http://www.widelode.com/?p=986#comment-58 Hi Alan, Programs commissioned from the 1st April 2008 and delivered on or after 1st November 2008 must be delivered on HDCamSR tape. This tape has the capability of capturing at 10bit 4:2:2 or 4:4:4 RGB. The nice thing about the hardware mentioned above is that you can do your edit and capture back to the deck. You can then bring that deck to your local friendly transfer facility or direct to the broadcaster and use the SDI link to give them your work. Hi Alan, Programs commissioned from the 1st April 2008 and delivered on or after 1st November 2008 must be delivered on HDCamSR tape. This tape has the capability of capturing at 10bit 4:2:2 or 4:4:4 RGB.
The nice thing about the hardware mentioned above is that you can do your edit and capture back to the deck. You can then bring that deck to your local friendly transfer facility or direct to the broadcaster and use the SDI link to give them your work.

]]> http://www.widelode.com/10bit-full-raster/comment-page-1#comment-57 Alan Fri, 20 Nov 2009 09:03:20 +0000 http://www.widelode.com/?p=986#comment-57 That is actually very interesting. However if your picky broadcaster is greedily 'ingesting' you content on digibeta cassettes, presumably uncompressed, how in goodness name will they be able to tell at what compression rate the original footage was captured? Perhaps they have inspectors with white coats in dark rooms trained to sniff out compression artifacts and duly chastise you for them? That is actually very interesting. However if your picky broadcaster is greedily ‘ingesting’ you content on digibeta cassettes, presumably uncompressed, how in goodness name will they be able to tell at what compression rate the original footage was captured? Perhaps they have inspectors with white coats in dark rooms trained to sniff out compression artifacts and duly chastise you for them?

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